In 2010, The Young’uns’ Sean Cooney committed a terrible act that we really can’t talk about. His sentence was to organise a folk event as part of Hartlepool’s tall ships festival alongside Hartlepool borough Council with oodles of red tape and risk assessment forms. Sean took this great responsibility like a man and did Hartlepool and the folk community proud, hosting an incredible event with an amazing list of performers. This Young’uns Podcast aims to capture the joys of the festival through recorded performances, interviews and various random happenings that took place over the festival.
There’s music from Polish Shanty group
world folk from
Mrs Trevor’s Deep Freeze Secrets,
the Askew Sisters,
Paul martin and Ian Mckoen. Plus there’s world-class kazoo playing from a children’s marching band; find out what folk musicians get up to late at night; we expose the folk group that have launched an attack on the blind; Michael Hughes dices with the law; The Young’uns get involved in some interesting collaborations, and of course there’s the obligatory smattering of puns. I could go on, but what’s the point when you can find out for yourself.
Remember, you can catch up with the previous 102 podcasts
how about listening to all 103 of them in one sitting, perhaps for charity?
Thanks to everyone who came to see
in Peterborough; we had a very enjoyable night. Thanks also to Toby wood who wrote this review of the gig, which is a completely accurate and well-considered critique of the proceedings:
“I would love to be a fly on the windscreen of the car transporting to a gig the three chaps who comprise The Young ‘Uns. (I should emphasise that I would hope that my fly incarnation would ideally be on the inside, not the outside!). The reason for this somewhat odd entreaty is that I could spend a few hours listening to Sean Cooney, David Eagle and Michael Hughes practising as they speed along.
The Young ‘Uns are in essence an a cappella group, hence the ease of being able to practise in the car with a fly for company. Just as well the trio don’t play harp, double bass and grand piano!
Along with friends and a healthy audience I was fortunate enough to see Cooney, Eagle and Hughes at Baston Folk Club on a Friday night, as opposed to the club’s customary Thursday. Oh the thrill of a change of night – we do know how to enjoy ourselves! I write ‘fortunate’ because, according to details on their website, The Young ‘Uns only seem to perform live two or three times a month, possibly due to the fact that they all have ‘proper’ jobs as community artist, producer and teacher. Indeed should Mr Hughes (as I presume his teacher name to be) ever get fed up of the teaching life he could easily get a job as a doppelganger for Marcus Brigstocke, so physically reminiscent is he of the comedian. Sean’s own website is so full of educational and cultural activity that no wonder The Young ‘Uns don’t gig that much. Want a Tall Ships Folk Festival organising? Then Sean’s yer man! And as for David – well just type his name into YouTube and you’ll find a wealth of humorous clips and quips as well as lengthy ‘Pick and Mix’ sessions. In short individual talent abounds.
The group performed mostly traditional shanties and homages to Hartlepool but all in a way that had a modern touch. Indeed a James Taylor song made a brief appearance alongside my own personal favourite, Sean’s ‘Jenny Waits For Me’, a poignant tale of men at sea.
I took a while to try to work out why the trio actually worked and then it clicked. Individually they appear so diverse, singular and individual yet as a threesome they blend seamlessly together, each appreciating the other’s strengths without becoming competitive or domineering (a sort of folkie Crosby, Stills and Nash). This is clearly demonstrated by the fact that they can spend two or three minutes in a comedic, laugh out loud introduction and then suddenly swoop into a song that requires concentration and even a little gravitas. They simultaneously revere the material and recognise that pleasing an audience is paramount.
The Young ‘Uns are one of those acts that’s best seen live. Their quirky and enthusiastic mix of seriousness and laughter is infectious.
Just one gripe! I’m just not keen on the name ‘The Young ‘Uns’. What will happen when they hit fifty (assuming they are still playing together)? Will they become ‘The Middle-aged ‘Uns’ or ‘The Receding and Increasingly Podgy ‘Uns’. Perhaps they ought to cross that bridge when they get to it.”
Yes, very accurate and well-considered.
So what will the next project be? I’m planning on starting work on the next Pick and Mix in the next few days so perhaps it will be that, though I imagine there’ll be two or three long rambling blogs written from busses in the meantime.